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The Resilience Of Nigerian Hip-Hop Revivalist, MI Abaga

 

The Reliability Of The Nigerian Hip Hop Revivalist, MI Abaga. Jude Lemfani Abaga, better known by his stage name M.I, has etched his name in the history books of Nigerian music history. He has had a profound effect on hip-hop culture for more than 15 years as one of the continent’s biggest rap acts, and he also owns a mainstream record company that has unearthed some of the country’s most extraordinary talent. We discussed his contribution to the development of hip-hop in this piece as well as his recently released album and everything in between.

Without the deserving mention of “The Guy,” MI Abaga, any examination of the development of Nigerian hip-hop over time will remain unsatisfactory. Many people might forget about this. Children of today won’t remember or even be aware of the period in which MI made his mark in this field.

MI Abaga’s Impact on the Hip-Hop Entertainment Industry and the Album “The Guy”

The Resilience Of Nigerian Hip-Hop Revivalist, MI Abaga

After riding the success waves of his breakthrough single “Crowd Mentality” in 2006, MI released his critically acclaimed debut album “Talk About It” in 2008. Since that time, Jude Abaga has effectively established himself in the Nigerian Hip Hop Hall of Fame while continuing to be relevant.

The Nigerian hip-hop scene was dominated at the time by artists like Ruggedman, Modenine, and Eedris Abdulkareem, who used word plays, hard-core raps, clever lyrics, and punchlines that were challenging for most Nigerians to understand. MI wasn’t the first Nigerian rapper at that time.

With his unique brand of rap, Mr. Incredible, also known by his full as M.I., entered the scene like a thief in the night and fully commandeered a fundamental change. Modernized and increased the sociality of rap culture. In nearly all of the rap albums he made, he pioneered a technique of balancing profound lyrics with mass appeal. Only a few Nigerian musicians could brag of this accomplishment at the time.

He’s done it all, from writing flawless verses with biting punchlines to the most adoring love ballads to expressing sociopolitical and mental health themes.

Without a doubt, hip hop culture began to develop in Nigeria in the 1980s after a few years. Hip-hop has had rapid expansion and acceptability, which has helped it become even more commercially appealing to the point that it is now being performed in a variety of languages.

Since then, some of Nigeria’s most noteworthy musical exports have been influenced by and born out of the culture’s constant growth curve, and it has continued to serve as an inspiration for aspiring and rising young musicians both inside and outside of Nigeria.

As the decades progressed, the music business frequently discussed reviving the rap genre in Nigeria. When some of the hardcore rappers went mainstream, MI and other rappers didn’t switch genres, but the acceptance was dwindling. Even though the genre was popular in the 1970s in America, it took some time for the sound to make an impact on Nigerian culture. Instead, popular musical styles like afrobeat and afro juju frequently resounded at gatherings here in Nigeria.

Due to the decline of hip-hop sound-producing artists, culture is deteriorating. Because there isn’t sufficiency of a market for rappers in the Nigerian music industry, almost 8 out of 10 new musicians invest more in afrobeat sounds than hip-hop. This is due to the fact that Afrobeat has grown to be one of the most popular genres on a global scale. Top musicians from several continents are now producing Afrobeats music. Chris Brown, Justin Bieber, Ed Sheeran, and other musicians are examples.

M.I. stays true to the art throughout this “Afrobeats to the world” agenda; he’s like the last man standing in both his generation and those who come after him. In advance of his The Guy album, the rap icon released a new single last month called “The Guy.” Heavy bass is combined with catchy, expertly performed vocals in this tune by MI, making it appealing to both casual listeners and hip hop fans. More evidence that M.I is still the African Rap King may be found in “The Guy.”

In preparation for his recently released self-titled album, “The Guy,” MI also confirmed that he had changed his stage identity from MI Abaga to “The Guy.”

To sum it up, it is increasingly clear that M.I. had a significant impact on the development of hip hop. Is this topic up for discussion once more? Some music critics claim that Vector is Nigeria’s rap GOAT, while others mention Mode 9. No Nigerian rapper has better, more palatable, or more consistent lyrics than MI.

Who, in your opinion, has contributed more to Nigerian rap culture than M.I. Abaga? Please share your opinions.

 

 

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